When I first made the decision that I wanted to be a published author I knew it would involve a lot of hard work. What I didn’t appreciate was how many other people all harboured the same dream. Naïve at the way the business worked, I wrongly assumed that if you were good enough you would make it. The knowledge that there were only a limited number of slots available per genre, per publisher, per year had not yet filtered down to me.
Over the years the realities of the business began to sink in. It was not only that there were limited slots available but some of those slots were taken up by existing authors being given space for their second, third and fourth books. The spaces left for debut novelists continued to be squeezed. With unproven track records, it was a hard sell to convince the money men to take a risk on an unknown particularly if lucrative money could be made enticing a celebrity on board instead. The saving grace for the publisher being that at least the celebrity would bring with them a readymade market (or so they hoped!).
The traditional publishing world is still like that. Serendipity can put a debut novelist in the right place at the right time but it can often be a long waiting game. With the advent of self-publishing as an affordable and completely doable process, the avenues now open to writers have increased.
Self-publishing has been a game changer for the indie authors who have embraced these new opportunities and for the old world agents and publishers who are grappling to assimilate what it will mean for their business models and the world of books as a whole. The term hybrid author is now on everyone’s lips – someone who has a traditional deal but who is also an indie author for some of their work.
Self-publishing has given the power of making decisions back to the author and we are very fortunate to live in this brave, new world.
Once upon a time I thought my writing career would be pretty linear. I would write a book, get an agent, they would sell the book to a traditional publisher and I would be published. After experiencing a few false dawns along the way, I eventually came to realise that those whose paths are linear are pretty lucky and few and far between. The rest of us will have a much more challenging road to follow to publication, full of twists and turns, the occasional dead end and some interesting rest stops along the way.
My own route was more country road than motorway but that’s okay. I saw a lot more of the landscape of the publishing industry during the journey, I learned about the business of writing but I also became a better writer simply because I’d been doing it longer and (hopefully!) learning from my mistakes.
I think the journey has stood me in good stead for the new challenges that are to come. There may have been times when I lost heart for a while but looking back now, I am glad I took the scenic route.
The Flower Seller by Ellie Holmes is now on sale at Amazon http://goo.gl/UrHYRb